Tuesday, June 4, 2013

Entry 056: "They Live" (1988)





Dear Internet,

                I seem to be a sucker for a good alien movie, especially one where the aliens are trying to take over the Earth.  I have perhaps seen "Independence Day" about twenty or more times.  There is just something rather charming about fighting off grotesque cosmic horrors that wish to use us like cattle or want to squash us like bugs.  The concept is very similar to the tales of giants above the clouds, biding their time to come down and claim the ground.  Within such stories, the various protagonists are tested to determine if they are willing to set aside their differences for the survivability of the group.  When faced by a force so much grander and powerful than the single individual, group dynamics are created, even temporarily, so that life may continue.  "They Live" takes these various "aliens vs. humans" themes and transplants them from being two forces fighting above and below to being an intermingling fight where each force must contend on nearly the same field.

                "They Live" follows John Nada, a drifter who comes to Los Angeles.  There he takes on a job at a construction yard and befriends Frank Armitage, who shows him to a shanty town where the two are able to live and sleep.  Across the road from this Hooverville, is a church that houses some strange individuals.  Meanwhile, every now and again, someone seems to hack into the local television airwaves and tells the viewer to wake up to the subliminal messages being put out.  Nada, like the rest, does not think much of the "tin-foil hat" rantings until he notices that every time they occur, a certain individual in the camp runs over to the church across the road.  Nada investigates and finds a chemistry lab filled with sunglasses.  The next day or two, the police show up, storm the church, bulldoze the shacks, and mercilessly beat down a number of people.  Nada goes back to the church and finds a few sunglasses that the police were unable to find.  When he dons the specs, he sees that behind every single piece of advertising and marketable object is a subliminal message.  Bold black words messages like "Obey" or "Stay Asleep" jump out at Nada as he roams the streets.  He comes across a businessman, who when viewed through the glasses, is as kinless, bulging eyed alien.  From there, the conspiracy is no longer a theory.

                "They Live" is a very enjoyable movie filled with fun twists and turns.  The aliens are a real treat to see.  They are disgusting only a little while, but they never become old hat.  It might be because every time that they appear, for the most part, is when the camera looks through the special lenses.  Each time it happens, the film cuts the color right out and becomes good old black and white.  Even Nada had to shake his head a few times when looking through the lenses the first time.  The black and white is a wonderful nod to the classic horror films that had to do much with such a little pallet.  There is also the fact that black and white has a great impact in the mind of viewers.  It is not a natural way to look at things, and when it occurs, it jars the viewer because of it.  At the end of the film, there are a few shots that show the aliens in full color.  When it does, the effect is comical because of their multi-colored designs, which is exactly the kind of feel that the movie is aiming for at that moment.
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                The film is filled with over the top action.  From shotguns to automatic rifles, the second half of the movie goes from suspense to full on action movie.  It is a weird shift, especially since it happens so quickly.  Nada goes from disbelieving the power of the shades to ridiculing the aliens to their face to blowing them apart in about ten minutes.  At least the film had the decency to explain that since the glasses block out the hypnotic waves that the aliens put out, he is acting violently in a manner that mirrors a drug addict's withdrawal symptoms.  On top of the already over the top gun violence is a fight sequence that occurs between Nada and Frank.  The all mighty Wikipedia clocks the fight at five a half minutes, but it definitely feels much longer than that.  The fight is supposed to separate the storyline from Nada being alone to when he has an ally on his side.  It could even be interpreted as a sequence illustrating how difficult it is to make the common man believe the truth despite the otherwise ease of proof.  All Frank had to do was put on the glasses to see what Nada was saying was true.  Instead, Nada had to fervently bust Frank apart to force him to wear the glasses.  While the fight could be seen as an effort in almost futility to make the unbeliever believe, it is somewhat long to the point of interrupting the flow of the plot.

                There is one thing that the film does not address within the fact that aliens are living among the human population.  The film goes to great lengths to press the concept that the aliens are the secret ruling class.  This is not a new concept.  Tales of secret organizations pulling the strings behind curtains goes back centuries if not millennia.  The difference in "They Live" is that they intermingle to such a degree that they are almost common.  They eat with the humans.  They work with them.  They even have sex with them, which bring up a whole lot more questions.  The biggest thing that struck me was that the aliens are using the same objects that the humans are using.  There is one alien that buys a newspaper, something that is clearly shown to be one of the brainwashing items.  Why does he do this?  The item is of no real use to him, since he would see through the object in the same manner that Nada does with the use of the glasses.  It is more likely an attempt to keep up appearances with the other humans around.  If it is an attempt to do so, then the aliens have to jump through a number of loops themselves.  What else do they have to do for appearance's sake?  Eating, socializing, and working right alongside humans most likely.  At that point, the aliens are being forced to conform to the norms that they are placing upon the populace.  The pivotal difference is that they are selected to benefit more than their human peers.  It is almost as if the aliens act just as much as sheep as the humans they hypnotize.

                There is one quick thing that I want to get out of the way.  There is a character late in the story that appears before Nada and Frank.  He had sold out to the aliens and was rewarded by being given money beyond his wildest dreams.  The character is apparently the drifter shown early on in the film, something that the film hopes you realize.  However, the film does such a good job of transforming the character from a homeless bum to a tuxedo wearing weasel that I could not recognize him.  I even went back to the earlier scenes hoping to figure out who he is, but failed to identify him.  While I admit that the complete change of dress did completely change the character's image, I wish the film had at least given a line to his identity so I would not feel so lost, but maybe I am the minority in this small trouble.

                "They Live" is a fun movie that knows how to prey on our paranoia.  The only problem is also its biggest draw.  It does not take itself seriously enough, and perhaps it should not.  While the various action sequences are lively, pulling the audience in and making them wonder how the characters are going to overcome each obstacle, there is a certain level of camp flowing through the movie.  The whole thing is a bit corny, but not to the point where it detracts from the plot.  It is not like "Invasion of the Body Snatchers" which has a creeping menace constantly in the forefront.  Nor is it like "Mars Attacks" which cranks up the comedy to the point of being a satire of the alien doomsday genre.  "They Live" takes its own road that delivers one of the most enjoyable experiences I have had watching aliens get splattered.  Also the ending and ultimate fate of Nada is perhaps one of the best and gutsiest finishers out there.

Yours in digital,
BeepBoop

P.S. Tomorrow is "Ano Natsu de Matteru" or "Waiting in the Sumer."

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