Friday, July 5, 2013

Entry 081: "The Godfather Part III" (1990)




Dear Internet,

                There I have it, "The Godfather" trilogy.  It has been an interesting three days watching these three films.  Three long movies, I might add, but good.  I can imagine the sanity I might have lost trying to marathon the three back to back, but it is no use trying to imagine what might have been when the present and the future is so much more important.  And I have already gotten ahead of myself.  

                "The Godfather Part III," made 16 years after "Part II," is in constant communication with its previous films.  It relies on the audience to be well aware of them, and should rightly be.  I made a point about this yesterday about how "Part II" relied a bit much on the first movie, but that was because the point that it was trying to get across seemed to be more of what the first film was trying to say.  Both films were showing how Mike started and continued his downward spiral of being the Godfather.  Relying on a previous work to only talk about the same thing diminishes the thing that is trying to be addressed by only repeating the discussion with little new to add.  "Part III" wants to show something different than what the last two films talked about and needs for the audience to have seen the previous films to be able to talk about it.  This thing is the chance of salvation for Mike Corleone.  

                The film obviously wants to address the things that Mike has done throughout his life, which include the good and the bad.  Even the second film wanted to address the multitude of sins that Mike commits in the name of business.  However, the second film wished to do so by seeing how far down the spiral Mike went after finally becoming Don.  "Part III" is all about the hope that Mike holds on to.  This hope stems from a specific line the first film.  He tells Kay that he will make the business completely legitimate.  The five year timeframe that he made that promise is long gone.  Despite this, he actually is shown trying to do this in "Part III."  The casinos are all sold off and the business has gone legitimate for the most part.  Mike even is awarded a papal honor for his charitable donations.  The guilt for his actions have torn him in two over the year, and his actions in the film reflect his desire to be an upright man.

                In the first two films, this guilt was there.  It was there with every refusal to a question he was asked.  It was there with every lie to his family.  It was there with every silence.  In the last two films and to an extent here, Mike spends more time trying to tie up loose ends concerning the rotten apples than throwing the entire bushel out and being done with it all.  In "Part III," Mike is wiser than he has been in previous films.  He even comments about how he will be very smart when he is dead.  This wisdom and intelligence is put to work in protecting his two children.  He desires his son to be a success and his daughter to be untouched by the underworld that he belongs to.  I said previously how he was often cold to his children or was at least not acting in a fatherly manner.  Here, he tries desperately to be the father he wanted to be.  He treats his family with love and respect, although he does keep his temperament at times.  This relationship is highlighted by a series of brief flashbacks here and there that do not slow down the plot much by only lasting a few seconds.

                I think I might be getting too far off from the point that I want to make concerning "Part III."  The film concerns the small hope for Mike.  He wishes to be forgiven and absolved of his crimes.  He wants out, but he is too far in to be able to leave.  Mike gains a little bit of this hope, but he must suffer before the end like he has suffered for so many years.  This suffering is not the kind that the film points to in the climax of the film.  It is the suffering that occurs in the final scene.  He must suffer alone because that is what his life ultimately would lead to.  All his actions lead to his own death rather than those around him.  That death is a long and slow one filled with emptiness.  It is not the pain of seeing those close to you die, but the pain of living the days after by one's self.  It is like an ulcer that starts in the winter of life, a pain that can last for years, bleeding, and being in anguish with it constantly reminding the victim of its presence.  It is not a broken arm bent in the spring of youth, which heals quickly and is more real in the doctor's record than in the mind of the patient.  

                The final question is of course, "Does Mike gain the salvation he sought so desperately to obtain?"  The film does not really say.  It more implies that he does not considering that he dies alone with only his dog nearby.  There is a chance considering that by finally losing everything he held dear he might be repentant, but that would be inserting too much into what is not there.  What the film is able to do, or at least was able to for me, was finally make the audience sympathetic to a Michael that had received the title of Godfather.  When he received the title, Mike became a man whose life revolved around his mob status while his family became more estranged.  He still had his family, and could still try to fix things before the end.  This can be seen when he takes his ex-wife around the Sicilian town to try and become closer.  However, in the end, his choice of being the Godfather is what chooses his destiny, as well as the ones belonging to those around him.  

                "The Godfather Part III" is a great film in my mind.  It is one that takes a long time to tell, but makes a superb crescendo.  The climax of the film got me to want to stand up and punch something, but not in a retaliation of the film being so bad that I wanted to take my mind off of it.  No, I wanted to vent my frustration because the film was successfully able to get me to feel that way.  It got me riled up and upset about the most important thing in the whole film, which was something that was supposed to be upset about.  If a film makes me cry when I am supposed to cry, if a film makes me cheer when it is time to cheer, if a film makes me scream obscenities because it makes me care about the injustice, it succeeds in what it sent out to do.  

Yours in digital,
BeepBoop,

P.S. Next will be "The Muppet Show." 

No comments:

Post a Comment